Video Connection Standards
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Composite videoComposite video is the format of an analog
television (picture only) signal before it is combined with a sound
signal and modulated onto an RF carrier. It is usually in a standard
format such as NTSC, PAL, or SECAM. It is a composite of three
source signals called Y, U and V (together referrered to as YUV)
with sync pulses. Y represents the brightness or luminance of the
picture and includes synchronizing pulses, so that by itself it
could be displayed as a monochrome picture. U and V between them
carry the colour information. They are first mixed with two
orthogonal phases of a colour carrier signal to form a signal called
the chrominance. Y and UV are then added together. Since Y is a
baseband signal and UV has been mixed with a carrier, this addition
is equivalent to frequency-division multiplexing. |
Composite video cannot easily be directed to any broadcast channel
simply by modulating the proper RF carrier frequency with it. Most
analogue home video equipment records a signal in (roughly)
composite format: Laserdiscs store a true composite signal, while
VHS tapes use a slightly modified composite signal. These devices
then give the user the option of outputting the raw signal, or
modulating it on to a VHF or UHF frequency to appear on a selected
TV channel. In typical home applications, the composite video signal
is typically connected using an RCA jack, normally yellow (often
accompanied with red and white for right and left audio channels
respectively). BNC connectors and higher quality co-axial cable are
often used in more professional applications.
In Europe, SCART connections are often used instead of RCA jacks —
though SCART can also carry far superior RGB component video signals
(and to a lesser extent, S-Video), so where available, RGB is used
instead of composite video with computers, video game consoles, and
DVD players.
Some devices that connect to a TV, such as videogame consoles (and
the ubiquitous home computers of the 1980s), naturally output a
composite signal. This may then be converted to RF with an external
box known as an RF modulator that generates the proper carrier
(often for channel 3 or 4 in North America). The RF modulator is
preferably left outside the console so the RF doesn't interfere with
the components inside the machine. VCRs and similar devices already
have to deal with RF signals in their tuners, so the modulator is
located inside the box. Also, most early home computers usually
employed an internal RF modulator.
The process of modulating RF with the original video signal, and
then demodulating the original signal again in the TV, introduces
several losses into the signal. RF is also "noisy" because of all of
the video and radio signals already being broadcast, so this
conversion also typically adds noise or interference to the signal
as well. For these reasons, it is typically best to use composite
connections instead of RF connections if possible. Almost all modern
video equipment has composite connectors, so this typically isn't a
problem.
However, just as the modulation and demodulation of RF loses
quality, the mixing of the various signals into the original
composite signal does the same. This has led to a proliferation of
systems such as S-Video and component video to separate out one or
more of the mixed signals.
Composite video is often designated by the CVBS acronym, meaning
either "Color, Video, Blank and Sync", "Composite Video Baseband
Signal", "Composite Video Burst Signal", or "Composite Video with
Burst and Sync".Component videoComponent video is a type of analog video information that is
transmitted or stored as two or more separate signals. Component
video can be contrasted with composite video (such as NTSC or PAL)
in which all the video information is combined into a single signal
such as a TV broadcast. However, component video cables are
gradually being replaced by the higher quality DVI and HDMI cablesAnalog component videoAnalog video signals (also called components) must provide red,
green and blue signals to create a television image. The simplest
type, RGB, consists of the three discrete red, green and blue
signals sent down three coaxial cables. There are a number of
variant schemes which vary according to how synchronization is
handled. If a synchronization signal is sent on the green channel,
it is called sync-on-green. Some schemes use a separate sync
channel, for instance the European SCART connection scheme in which
the video signal occupies four (R,G,B + sync) of the 21 pins in the
interface. SVGA, another RGB scheme, is used worldwide for computer
monitors (this is sometimes known as RGBHV, as the horizontal and
vertical synchronization pulses are sent on separate lines).
An alternative type of componentization does not use R,G,B
components but rather a colorless component, termed luminance
combined with one or more color-carrying components, termed
chrominance, that give only color information. Mulitiple chrominance
channels allow for more precision and speed in mapping the RGB
colour space. This componentization scheme is a linear
transformation of the sRGB color space. This type of signal is
usually what is intended when people talk of component video today.
Variants of this format include YUV, YCbCr, YPbPr and YIQ commonly
used in video systems.
In component video systems, additional synchronization signals may
need to be sent along with the images. The synchronization signals
are commonly transmitted on one or two separate wires, or embedded
in the blanking period of one or all of the components. In
computing, the common standard is for two extra wires to carry the
horizontal and vertical components ('separate syncs'), whereas in
video applications it is more usual to embed the sync signal in the
Y component ('sync on luminance').
S-Video is another type of component video signal, because the
luminance and chrominance signals are transmitted on separate wires.
This connection type, however, cannot produce high definition or
digital-quality pictures (pictures with more than 480 interlaced
lines of video for NTSC or more than 576 lines of interlaced video
for PAL). Component video is capable of producing signals such as
480p, 720p, 1080i and 1080p, but digital connections such as DVI
(video only) and HDMI (which can also include up to 8 channels of
audio) give better results at the higher resolutions (up to 1080p).
Examples of international component video standards are:
RS-170 RGB (525 lines, based on NTSC timings, now EIA/TIA-343)
RS-343 RGB (525, 625 or 875 lines)
STANAG 3350 Analogue Video Standard (NATO military version of RS-343
RGB)
Digital component videoThe digital component video is sometimes referred to as 4:2:2. This
means that for every 4 pixels of luminance (Y) information, only 2
pixels of Pb (Blue Difference), and 2 pixels of Pr (Red difference)
are encoded. This is the scheme used for the DVD format. The numbers
also represent the relative number of bits (but not the actual
number) used to carry the three pieces of information at each pixel.
The color information is spread across the pixels it represents.
Another scheme encountered will be 4:1:1. This is the scheme used on
the NTSC version of the DV (and hence miniDV) tape formats for
camcorder use. In this case for every 4 pixels of luminance, only 1
pixel of the Pb and Pr difference information is encoded for each
line.
To provide apparent confusion, the PAL version of the DV and miniDV
tape format use 4:2:0 which would appear to suggest the absence of
the Pr signal altogether. In fact, the system takes advantage of
features of the PAL color system, and encodes 2 pixels of Pb color
difference for every 4 luminance pixels on odd lines only. On even
lines, 2 pixels of Pr color difference are encoded for every 4
luminance pixels. In each case the missing information is recovered
from the previous line (and is thus closer to the French SECAM
system than PAL). This doubles the horizontal resolution but halves
the vertical resolution. This is acceptable, because the PAL
analogue color system does in fact have half the vertical resolution
of the NTSC system.
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